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08 Aug How does mise-en-scène as defined by Stephen Prince frame acting choices

Posted at 10:53h in Writing by

Submit a 1-2 page reflection on how directors and cinematographers shape acting in film using cinematography or production design.  Choose from Akira Kurosawa’s Rashomon (1950; Criterion Channel) OR Robert Bresson’s L’Argent (1982; Criterion Channel).

These questions should help frame your response:

  1. How does mise-en-scène as defined by Stephen Prince frame acting choices? 
  2. Are there examples of typage, theater, or Method acting in your film?

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